Reviews, Awards and Festival Coverage, Trailers, and miscellany from an industry outsider
Monday, July 4, 2011
Sunday, February 6, 2011
Start your Sunday with some Church Chat:
Thursday, December 9, 2010
Spread the word (and the video)
Thursday, August 19, 2010
A musical breakthrough: How to make Justin Bieber sound good [Fake, but still cool]
Saturday, July 31, 2010
Thank you for making that worth the wait

After a week of missed chances and failed DVR-ing, I was finally able to catch up with the season premiere of AMC's Mad Men, and it only reinforced my opinion that this is the best drama on TV. In short, what made the season 4 premiere so strong were the elements that make up the best of Mad Men's episodes: strong, more dialogue-heavy writing, more energetic pacing that still allows for drama, and plenty of sharp, funny exchanges between characters. As many of the critics have said, the changes that have occurred story-wise, which I won't spoil for non-viewers, have given the show a new vitality, after season 3 had a few too many slow-burning episodes that were far too slow. As usual, the fantastic production values were as good as they've ever been (and enhanced by the show's continued decision to shoot on 35mm film. I know these haven't exactly been deep, insightful thoughts, but I just wanted to write a brief little post about how glad I am that the show is back, and off to a great start. Here's hoping that the remaining 12 episodes of season 4 continue in the footsteps of the season opener.
Friday, July 9, 2010
Who says that commercials can't be art?
Thursday, July 1, 2010
Sunday, June 6, 2010
Tripping the Life Sarcastic
Sarcasm has a very special place in the world of American comedy, specifically television, and few recent shows aimed at teens put it to better use than this one. For those who don't recall, "Daria" ran on MTV from 1997-2001, lasting five seasons (13 episodes each) and two hour-long TV movies. The show centered on laid-back, pessimistic, realistic, detached Daria Morgendorfer, as she navigated high school, portrayed as a world of vapid classmates and condescending adults. If anything could sum up the series' protagonist, it was its tagline: Talks Slow, Thinks Fast. But while the show's protagonist could be contained in those four words, Daria Morgendorfer and the show around her was really so much more.
Not only does it remain one of the best things to ever come out of MTV (which now spends its time making masterpieces like "Jersey Shore"), but it's a stand-out among animated series. It didn't play dumb, it didn't talk down to its audience, and it didn't go out of its way with gags involving stupidity or gross-out moments. And despite having a smaller following than "Beavis and Butthead" (of which it was a spin-off), it has an appeal that stretches from high school students to adults (I'll cite my parents as examples).
It's easy enough to see what made "Daria" such a treat for its fan base. At a time when pop-culture excess was really starting to blow-up among the high school set, "Daria" offered a refreshingly dry, witty, and often hilarious commentary on the dumbing-down of teenage life. And I mean hilarious. Though Daria delivers her lines in a monotone, she has the majority of the show's smartest, most cutting jokes, referencing everything from Dostoevsky to the Hanoi Hilton. And while the characters of 
But like many teen-oriented shows, "Daria" also took on issues, and once again it surpassed the competition. As was often the case in the 90s and even early 2000s, when teen shows wanted to address an issue, you could see it coming from a mile away. I can't keep track of the number of shows that ran ads like, "this week on a very special episode of _____". So while many shows presented ham-fisted scenarios to address topics, "Daria" did it seamlessly, even if it was presented in exaggeration (Principal Li selling out the school to a soda company for funding). In fact, "Daria" almost never felt like it was making a huge deal out of issues, even when Daria herself had a chance to monologue, because it was simply THERE. The writers were smart enough to know that the show's audience didn't need to be beat over the head with a message.
But perhaps the greatest single strength of "Daria," amid all of the laughs, was that it never canonized its protagonist. Though the first season never put Daria in the wrong, as the show progressed it wasn't afraid to occasionally make Daria do something that required her to make amends. This culminated late in season four wherein Daria more or less lures away her best friend's boyfriend. This brings us 
So how does "Daria" hold up 13 years after it first premiered? Well, after plowing through all five seasons on DVD, pretty damn well, even if 99% of the soundtrack is missing due to licensing issues. In an age when pop-culture seems to be increasingly headed in the direction of an Idiocracy (I'm looking at you, Ke$ha), "Daria" serves as a reminder that to discerning audiences, being a "brain" can still be cool.
Grade: A
Tuesday, May 18, 2010
Tina Fey hits the big 4-0

Today one of the funniest women in Hollywood, and one of my favorite people on the planet (that I'll never ever meet), celebrates her 40th birthday. As the former head writer of "Saturday Night Live," and the star of the brilliant "30Rock," Tina Fey has built something of a mini comedic empire for herself. She's not a brand, per se, but she has become something of a icon for funny women everywhere. Let's celebrate with some of her finest moments in recent memory...
Wednesday, April 28, 2010
Tuesday, April 27, 2010
Monday, April 12, 2010
Tuesday, February 23, 2010
Sunday, February 14, 2010
Tuesday, February 9, 2010
Monday, October 26, 2009
Stunning trailer for "Cup of Tears"
The Cup of Tears film trailer. Dir. Gary Shore from Gary Shore on Vimeo.
I know that it's shallow to judge a movie on looks alone, but I'm a sucker for films that are visually snazzy...at least until I see the finished product. This looks like a delightfully deranged combination of "Sin City"/"300" and an actual anime cartoon...and that's before you even get to the weird robot machines...
Wednesday, September 23, 2009
The music of "The Road"
by Nick Cave and Warren Ellis, the brilliant duo behind the score for "The Assassination of Jesse James". Now, I was all for having a score-less adaptation of "The Road" considering how well it worked for "No Country..." which has a similar sense of emptiness, but this is so hauntingly beautiful is almost hurts.






