Real people are tricky, that's no secret. Putting them on screen in the form of characters? That can be a nightmare. The result is often one that is so desperate to deviate from Hollywood norms, that characters often become uninteresting, unlikeable, and even repulsive, despite being supposedly "real". Such was the case with writer-director Nicole Holofcner's 2006's effort Friends with Money. With apologies to Ms. Holofcner, hearing one wife tell her husband that she can't believe her friend, "hasn't seen [her husband's] asshole," isn't the sort of dialogue that should be thrown out within the first 15 minutes. It's crass, it's irritating, and it's an almost instant turn-off. Thankfully, Ms. Holofcner has more than learned her lesson with her most recent feature, Please Give. Though it has moments of unpleasantness, Holofcner and her cast never go overboard, and whatever meanness may be inflicted verbally from one character to another there may be, it never feels as though it's somehow pointed at the audience. Kate and Alex (Catherine Keener and Oliver Platt) are married a have a daughter, Abby (Sarah Steele). They also run a furniture store, where the merchandise comes mostly from the homes of the recently deceased. On the other end are Rebecca (Rebecca Hall), her sister Mary (Amanda Peet), and their grandmother Andra (Ann Guilbert), who happens to live next door to Kate and Alex. Though the main plot is built on the tensions between the two families (Mary and Rebecca feel that Kate and Alex are like vultures, simply waiting and hoping for Andra to die), Holofcner's film finds its strength in the funny little ways people cross paths and relate to different people differently. Kate, the best example of human contradictions, is a bleeding heart, constantly giving out money to people on the street, to the point where she's almost made it an obligation, doing whatever she can. This puts her at odds with Abby, who is obsessed with getting rid of her acne and longing for a new pair of jeans. Yet while Abby's parents feel slightly uneasy around the rather bitchy Mary, Abby has one or two moments with her...but also has two moments with Rebecca. Then there's Alex, who may or may not have been flirting with Mary over dinner. The ways in which Holofcner's characters bounce off of each other is surprisingly engaging, filled with moments of meanness, kindness, insight, and even great humor. And while indie queen Keener may get top billing and have the most outwardly expressive role, she's equally matched by Rebecca Hall (Vicky in Vicky Cristina Barcelona) as hardworking, reserved Rebecca. Every main character, from the Abby to Andra, is so wonderfully drawn, with flaws that actually feel genuine, to the point where the characters balance each other out, as opposed to Greenberg, in which the entire film was too focused on its protagonist. As a slice-of-life/intersection-of-lives story, it's also devoid of lagging moments, and ends strongly when at times you wonder if it can have a satisfying ending at all. Where other slice-of-life films often get too caught up in trying to create an atmosphere that doesn't fully materialize, Please Give is smart enough to focus wholly on its characters. The result is a strongly acted, well-paced look at the way people interact when put under a microscope, and what it really means to give, both physically and emotionally.
Grade: B+
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